A Praza do Ferro, Ourense

Latex with acrylic on acetate, 40x30

Series: Enduring Ourense.

The composition of the engravings is not academic or tourist, but a complex convergence of intellect and feeling. It is like when looking at them we perceived the plazas, churches, buildings in different dimensions: the lack of precision [or deformation] of the line prevented us from academic knowledge, or merely documented, about the city, but revealed other deformities, reminding us a past that was deformed and the deformation itself that exists now.

Carol Maier

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